„Live
on stage, contemplating with his guitar, he seems to forget time and
space... a perfect technique, awesome interpretation."
(Bavarian
Broadcast, Kulturspiegel)
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„At
the „Olymp" of the guitar...phenomenal...Wiedemann shows a
perfect unity of musical differentiating, awesome technique and a great
sense of structure and presentation.
The
sound has deepness and beauty that remembers one of Julian Bream!" (Burghausener
Anzeiger)
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„Augustin
Wiedemann is a brilliant interpreter...Aquarelle by Sergio Assad...is
powerful music...requiring top-flight artistry on the part of the
performer, and Wiedemann delivers here again. Wiedemann´s
interpretation of El Decameron Negro is beautifully lyrical, bringing
out the strong Cuban colour throughout...This is a first class album
and is highly recommended." (Classical
Guitar, England)
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„When
Augustin Wiedemann is interpreting modern music for guitar by
Bogdanovic, Rodrigo or Dyens, your soul is on fire. Guitarplaying full
of enthusiasm and risk – you can only be amazed by his
electrifying note-juggling." (Süddeutsche
Zeitung)
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„Magical
hours with the guitar! Augustin Wiedemann possesses everything a
classical guitarist could wish: a virtuoso technique as a solid basis,
a profound memory for thousands of notes, maturity of interpretation,
stage presence, charisma, soul - and individuality." (Oberbayrisches
Volksblatt)
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„A
festival of silent notes...Augustin Wiedemann, one of the best German
guitarists, live onstage...Wiedemann´s fantasic technique
allows him an intimate access to the music that we only knew in piano
playing." (Schwäbische
Zeitung)
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„Wiedemann
appears like young „Siegfried" with the guitar, he turns
almost horrifying technical problems into charming music.
Breathtaking... one who loves the complex musical surprises of our
times simply could not get enough of Dyens’s Cinq chansons
francaises..." (Bayerwald
– Bote)
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„The
master of variety! One of the best young concert guitarists in Germany
today... (Neue
Presse Coburg)
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„A
magician with six strings! Wiedemann... combines technical mastery and
deepest emotion.." (Altöttinger
Zeitung)
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Crossover
Project „Classic meets Soul„ (Augustin Wiedemann
with Singer/Songwriter Michael Koschorreck)
„A
champion class evening with two totally different musicians that
nevertheless match perfectly. An evening worth every single mark of the
entry fee. An evening you will not forget so fast. And a duo that you
should watch at any rate. Sometimes I was remembered of the legendary
„Friday Night in San Francisco„ album (with Paco de
Lucia, Al di Meola and John Mclaughlin)„
(Mühldorfer
Anzeiger)
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„A
fantastic concert experience, pure joy of making music... The two
string virtuosos gave a remakable concert from Classical music to Soul.
With this concert the Cultural Foundation „Regenbogen" set
one of the highlights of the season." (Plattlinger
Zeitung)
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„La
Maja Dolorosa" (Augustin Wiedemann with Mezzo-Soprano Bavat Marom,
Israel/New York)
„Great
art, far away from being artificial... Wiedemann has already proven
that he belongs to the top of the German guitarists. With a first-class
singer he explored this time the infinite richness of the spanish
art-song...Extraordinary musical taste and ability."
(Lindauer
Zeitung)
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Rodrigo´s
„Concierto de Aranjuez" (Augustin Wiedemann with
„Members of the Munich Philharmonic Orcestra")
„Jubilation
for Augustin Wiedemann: the master of the guitar thrills everybody
– High-speed solos, agressive riffs, Wiedemann
plays it all with a cool power that cannot be seen very often in the
guitar scene today. Every single listener was fascinated!"
(Passauer
Neue Presse)