„Live on stage, contemplating with his guitar, he seems to forget time and space... a perfect technique, awesome interpretation."
(Bavarian Broadcast, Kulturspiegel)
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„At the „Olymp" of the guitar...phenomenal...Wiedemann shows a perfect unity of musical differentiating, awesome technique and a great sense of structure and presentation.
The sound has deepness and beauty that remembers one of Julian Bream!" (Burghausener Anzeiger)
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„Augustin Wiedemann is a brilliant interpreter...Aquarelle by Sergio Assad...is powerful music...requiring top-flight artistry on the part of the performer, and Wiedemann delivers here again. Wiedemann´s interpretation of El Decameron Negro is beautifully lyrical, bringing out the strong Cuban colour throughout...This is a first class album and is highly recommended." (Classical Guitar, England)
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„When Augustin Wiedemann is interpreting modern music for guitar by Bogdanovic, Rodrigo or Dyens, your soul is on fire. Guitarplaying full of enthusiasm and risk – you can only be amazed by his electrifying note-juggling." (Süddeutsche Zeitung)
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„Magical hours with the guitar! Augustin Wiedemann possesses everything a classical guitarist could wish: a virtuoso technique as a solid basis, a profound memory for thousands of notes, maturity of interpretation, stage presence, charisma, soul - and individuality." (Oberbayrisches Volksblatt)
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„A festival of silent notes...Augustin Wiedemann, one of the best German guitarists, live onstage...Wiedemann´s fantasic technique allows him an intimate access to the music that we only knew in piano playing." (Schwäbische Zeitung)
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„Wiedemann appears like young „Siegfried" with the guitar, he turns almost horrifying technical problems into charming music. Breathtaking... one who loves the complex musical surprises of our times simply could not get enough of Dyens’s Cinq chansons francaises..." (Bayerwald – Bote)
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„The master of variety! One of the best young concert guitarists in Germany today... (Neue Presse Coburg)
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„A magician with six strings! Wiedemann... combines technical mastery and deepest emotion.." (Altöttinger Zeitung)
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Crossover Project „Classic meets Soul„ (Augustin Wiedemann with Singer/Songwriter Michael Koschorreck)
„A champion class evening with two totally different musicians that nevertheless match perfectly. An evening worth every single mark of the entry fee. An evening you will not forget so fast. And a duo that you should watch at any rate. Sometimes I was remembered of the legendary „Friday Night in San Francisco„ album (with Paco de Lucia, Al di Meola and John Mclaughlin)„
(Mühldorfer Anzeiger)
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„A fantastic concert experience, pure joy of making music... The two string virtuosos gave a remakable concert from Classical music to Soul. With this concert the Cultural Foundation „Regenbogen" set one of the highlights of the season." (Plattlinger Zeitung)
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„La Maja Dolorosa" (Augustin Wiedemann with Mezzo-Soprano Bavat Marom, Israel/New York)
„Great art, far away from being artificial... Wiedemann has already proven that he belongs to the top of the German guitarists. With a first-class singer he explored this time the infinite richness of the spanish art-song...Extraordinary musical taste and ability."
(Lindauer Zeitung)
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Rodrigo´s „Concierto de Aranjuez" (Augustin Wiedemann with „Members of the Munich Philharmonic Orcestra")
„Jubilation for Augustin Wiedemann: the master of the guitar thrills everybody –  High-speed solos, agressive riffs, Wiedemann plays it all with a cool power that cannot be seen very often in the guitar scene today. Every single listener was fascinated!"
(Passauer Neue Presse)